The Publication of OUR MUTUAL FRIEND 
Wednesday, February 19, 2014 at 4:27PM
Mark Scarbrough in Charles Dickens, Our Mutual Friend

Since we've danced around this issue so often in our discussions, I thought I'd take a minute to clarify how OUR MUTUAL FRIEND was published.

Around 1836, Dickens and his publishers devised a new way of publishing novels: offer them in ten to twenty installments of three or four chapters each for a relatively cheap price (one shilling each). Each installment had 32 pages and four illustrations. Dickens began this scheme with THE PICKWICK PAPERS and continued it throughout his life, revolutionizing publishing history.

Before this innovation, publishers printed novels in chunks--usually a leather-bound volume of fifteen or twenty chapters at considerable expense--and authors were paid a royalty on net profits only after the publisher recouped costs. In general, authors split the profits of a work 60/40 with the publisher (the higher number being the author's take--how times have changed!). With Dickens' new scheme, authors were paid monthly royalties based on how individual installments sold--and thus could make money while writing the book. And novels could be purchased by the middle class, not just the upper class.

The individual installments of OUR MUTUAL FRIENDOUR MUTUAL FRIEND was no exception. It was published in installments as follows:

May 1864. Book the First. Chapters 1-4
June 1864. Chapters 5-7
July 1864. Chapters 8-10
August 1864. Chapters 11-13
September 1864. Chapters 14-17
October 1864. Book the Second. Chapters 1-3
November 1864. Chapters 4-6,
December 1864. Chapters 7-10
January 1865. Chapters 11-13
February 1865. Chapters 14-16

March 1865. Book the Third. Chapters 1-4
April 1865. Chapters 5-7
May 1865. Chapters 8-10
June 1865. Chapters 11-14
July 1865. Chapters 15-17
August 1865. Book the Fourth. Chapters 1-4
September 1865. Chapters 5-7
October 1865. Chapters 8-11
November 1865. Chapters 12-[17] ("Chapter the Last"), plus the "Postscript" and eight pages of "preliminary matter" (that is, the title page, table of contents, etc., ready to go in typeset for when they were gathered together as a volume.

If you look back at some of the chapters we've read, you can see how they fall together in sets--and see some of Dickens' plan. For example, in the chapters we read for this week, chapter 14 ends with a cliff-hanger question which leads to the last set of chapters, 15 - 17, on sale the next month. Those last three chapters are then the furtherance (and decline) of the Boffin plot (15), the upswing in the Rokesmith/Bella Wilfer plot (16), and the concluding Veneering snark (something that has happened at the end of every volume).

As we've discussed, Dickens tried to stay in advance of this novel, writing the first volume before he began publishing. However, something--what?--about OUR MUTUAL FRIEND slowed him down. By the third volume (this week's reading), he was hopelessly behind, barely able to keep up. He claimed this novel left him "dazed" as he wrote, something of a new feeling for him.

Dickens' writing method was always the same: he scribbled notes, expanded them, drafted them into paragraphs right on the same page, and finally fleshed out the dialogue in a mad jumble of almost illegible handwriting. He then handed these sheets to his secretary to make sense of them--and then reviewed the subsequent script before sending it all off to the publisher. Here's page fourteen of Dickens' handwritten manuscript for OUR MUTUAL FRIEND:

Imagine trying to decipher this!

As you may know, the reviews were not kind--with the exception of one from E. S. Dallas, a rather noted critic for the London Times. Up until this novel, Dickens had been handing his manuscripts over to his official biographer, John Forster, once they had been seen through publication. But this time, he gave the manuscript over to Dallas--who needed the money and sold it a few years later. In a moment of cosmic irony, it eventually was bought by J. P. Morgan, one of those Veneerings Dickens hated so much. It is now housed in the Pierpont Morgan in New York. 

Article originally appeared on The Norfolk Library Book Group (http://norfolklibrarybookgroup.squarespace.com/).
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